The Penguin Encyclopedia of Popular Music
Edited by Donald Clarke; Penguin Books, 1998
Peggy (born Norma Deloris Egstrom, 26 May 1920, Jamestown, North
Dakota) Ė Singer; one of the most perennially popular of her generation;
also songwriter and actress. Beaten by a stepmother for eleven years,
instead of becoming abusive herself she became non-violent. Sang
in North Dakota, on West Coast; joined Benny Goodman (1941) after
gig with vocal trio at Chicago hotel; hits with Goodman began with
"I Got It Bad and That Ainít Good" (1942, from Duke Ellington show
"Jump For Joy"), followed by "Blues in the Night" (with sextet),
"Somebody Else Is Taking My Place" (number 1), "The Way You Look
Tonight" (all 1942); number 4 (1943) with "Why Donít You Do Right?"
(they performed it in film "Stage Door Canteen," 1943). Left Goodman,
married guitarist Dave Barbour (1943, divorced 1952; he was an alcoholic
and they remained close until he died).
She retired but could not stay away:
Inveigled by Capitolís Dave Dexter to sing two sides in a album
of jazz 78s (unusual then) it was clear that she was a great interpreter;
she played a character as she sang and made you believe it. With
Capitol (1945-52), Decca (1952-57), back to Capitol (1957-72); had
more than 40 hit singles through 1959 and came back to top 40 ten
She and Barbour wrote "Itís A Good
Day" (number 16, 1947) and "MaŮana" (number 1, 1948), others; he
led the orchestra on the latter and many others. Top ten hits: "Waitiní
for the Train to Come In" (1945), "I Donít Know Enough About You"
(1946), "Golden Earrings" (1947), "The Old Master Painter" (1950,
duet with Mel Tormť). When she wanted to record "Lover" (1952) in
Gordon Jenkinsís swirling impressionistic arrangement Capitol didnít
go for it, so she switched to Decca and the record remains a pop
landmark. She had been reunited with Goodman on "For Every Man Thereís
A Woman" (1948), duetted with Bing Crosby on "Watermelon Weather"
(1952). Decca 10" LP "Black Coffee" was a classic, with Jimmy Rowles
and Pete Candoli in the band (the latter as "Cootie Chesterfield"),
later had tracks added to make a 12" LP on Decca.
She appeared on film "Mr. Music" (1950)
with Crosby; her portrayal of a complete breakdown in film "Pete
Kellyís Blues" (1955) was nominated for an Oscar; she appeared in
"The Jazz Singer" (1953, remake of 1927 Al Jolson film); she contributed
to the score and was heard in the soundtrack of Disney cartoon feature
"Lady and the Tramp" (1955) and won a settlement from Disney when
they reissued her work on video without offering more money. "Mr.
Wonderful" (1956) was a top 20 hit on Decca, then back on Capitol
(1958) for top ten "Fever;" her smoky yet cool, laid-back sexuality
had something teasingly neurotic about it, vulnerable but also untouchable
in the end; a comparison of her "Fever" with the original by Little
Willie John is revealing.
She continued to write, with Quincy
Jones ("New York City Blues"), Cy Coleman ("Then Was Then"), Ellington
("Iím Gonna Go Fishiní"), others.
Perhaps she was inveigled back to Capitol
to make "The Man I Love" (1957) with Frank Sinatra conducting (top
20 LP); further notable albums were "Jump for Joy" (1956) with Nelson
Riddle; "Beauty and the Beat" (1959) with George Shearing; "Blues
Cross Country" and "If You Go" with Jones (1961); "Sugar ĎNí Spice"
and "Mink Jazz" (1961-62) with Benny Carter; she recorded all through
the 1960s for Capitol including albums with Billy May (1960), Shorty
Rogers (1967), Benny Golson (1970). Her top 40 hit (1969) was written
by Leiber and Stoller; "Is That All There Is" might be a depressing
song about the onset of disappointment, or might not: Her classy
ambivalence could be interpreted as saying, "Yes thatís all, but
maybe it hasnít been so bad."
There were only three albums in the
1970s [sic Ė Lee released a total of nine original albums between
1970-79]: "Mirrors" (1975) on A&M was an elaborate set with 90 musicians,
nine [sic Ė ten] songs by Leiber and Stoller including "Ready to
Begin Again," but soon disappeared without a trace; "Letís Love"
(1974) on Atlantic had a title track written and produced by Paul
McCartney, but that too soon vanished; "Close Enough for Love" (1979)
on DRG had an orchestra arranged and conducted by Dick Hazard. To
the relief of fans all over the world she returned with "Peggy Sings
the Blues" (1988) and "Thereíll Be Another Spring" on MusicMasters,
and "Moments Like This" on Chesky, all with Mike Renzi; and "Love
Held Lightly: Rare Songs by Harold Arlen" on Angel with the Keith
Ingham Octet. In a wheelchair, 1994, she sold out Londonís Royal
Festival Hall with the Brandenburg Symphony Orchestra.